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How Far Can You Fly_(Ladder)
Wed, 31 Dec 2008 21:39:49 -0800 by Stravinskij0

Happy New Year.

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Rubinstein / Zimerman - Cadenza Coda of Beethoven's Piano Concerto No. 4
Tue, 16 Dec 2008 14:49:54 -0800 by Stravinskij0

Cadenza and Coda of Beethoven's Piano Concerto No. 4. (I Tempo)

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Brahms - Michelangeli, Ballade Op.10 No 2 in F# minor
Tue, 16 Dec 2008 09:41:53 -0800 by Stravinskij0

(Lugano, 1981) Arturo Benedetti Michelangeli (January 5, 1920 June 12, 1995) was an Italian classical pianist. He has been regarded as among the most commanding and individual piano virtuosos of the 20th century, among names such as Horowitz and Richter. Along with Ferruccio Busoni, he is often considered the most important Italian pianist. Born in Brescia, Italy, he began music lessons at the age of three, initially with the violin, but quickly switched to the piano. At ten he entered the Milan Conservatory. In 1938, at age eighteen, he began his international career by entering the Ysaÿe International Festival in Brussels, Belgium, where he placed seventh (a brief account of this competition, at which Emil Gilels took first prize, is given by Arthur Rubinstein, who was one of the judges. According to Rubinstein, Michelangeli gave "an unsatisfactory performance, but already showed his impeccable technique"). A year later he earned first prize in the Geneva International Competition where he was acclaimed as "a new Liszt" by pianist Alfred Cortot, a member of the judging panel, which was presided by Ignacy Jan Paderewski. Michela ngeli was known for his note-perfect performances. The music critic Harold Schonberg wrote of him: "His fingers can no more hit a wrong note or smudge a passage than a bullet can be veered off course once it has been fired...The puzzling part about Michelangeli is that in many pieces of the romantic repertoire he seems unsure of himself emotionally, and his otherwise direct playing is then laden with expressive devices that disturb the musical flow."[1] The teacher and commentator David Dubal adds that he was best in the earlier works of Beethoven and seemed insecure in Chopin, but that he was "demonic" in such works as the Bach-Busoni Chaconne and the Brahms Paganini Variations. His repertoire was strikingly small for a concert pianist of such stature. Owing to his obsessive perfectionism relatively few recordings were officially released during Michelangeli's lifetime, but these are augmented by numerous bootleg recordings of live performances. Discographical highlights include the (authorized) live performances in London of Maurice Ravel's Gaspard de la Nuit, Chopin's Sonata No. 2 and Robert Schumann's Carnaval, Op. 9 and Faschingsschwank aus Wien, Op. 26. The Gaspard, as well as his playing of Ravel's Piano Concerto in G set standards for those works and his reading of Sergei Rachmaninoff's Piano Concerto No. 4 is comparable to that of Rachmaninoff himself. His Claude Debussy series for DG is something of a benchmark, if it is sometimes accused of being a little unatmospheric ("swimming in cool water," in Dubal's words). Several DVDs of live performances, and a master class, are also available. As a composer, Michelangeli wrote 19 Folksongs a cappella for the SAT men's chorus from Trent (Italy). Michelange li was something of a hypochondriac, famous for last-minute cancellations of his concert recitals. His last concert took place on May 7, 1993 in Hamburg, Germany. After an extended illness he died in Lugano, Switzerland. (Wikip edia)

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Horowitz Slow-Motion
Mon, 15 Dec 2008 10:05:39 -0800 by Stravinskij0

Horowitz Slow Motion [Octave and Scale]

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Eschenbach - Mozart, Piano Sonata K.576 in D Major - II Adagio
Thu, 04 Dec 2008 11:14:36 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.576 in D Major - I Allegro
Thu, 04 Dec 2008 11:10:07 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K. 570 in B Flat Major - III Allegretto
Thu, 04 Dec 2008 11:05:44 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K. 570 in B Flat Major - II Adagio
Thu, 04 Dec 2008 11:01:31 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K. 570 in B Flat Major - I Allegro
Thu, 04 Dec 2008 10:56:50 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.545 In C Major - III Rondo. Allegretto
Thu, 04 Dec 2008 10:52:26 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.545 In C Major - II Andante
Thu, 04 Dec 2008 10:51:26 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.545 In C Major - I Allegro
Thu, 04 Dec 2008 10:48:32 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.533_K494 in F Major - III Allegretto (K494)
Thu, 04 Dec 2008 10:46:39 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.533_K494 in F Major - II Andante
Thu, 04 Dec 2008 10:39:52 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.533_K494 in F Major - I Allegro
Thu, 04 Dec 2008 10:37:00 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.457 in C minor - III Allegro assai
Thu, 04 Dec 2008 10:30:24 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.457 in C minor - II Adagio
Thu, 04 Dec 2008 10:25:31 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.457 in C minor - I Allegro molto
Thu, 04 Dec 2008 10:20:29 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.333 in B flat Major - III Allegretto
Thu, 04 Dec 2008 10:14:54 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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Eschenbach - Mozart, Piano Sonata K.333 in B flat Major - II Andante Cantabile
Thu, 04 Dec 2008 10:11:12 -0800 by Stravinskij0

Early lifeEschenbach's parents were Margarethe (née Jaross) and Heribert Ringmann. He was orphaned during World War II. As a result of the trauma, he did not speak for a year, until he was asked if he wanted to play music. Wallydore Eschenbach (née Jaross), a cousin of his mother, adopted him in 1946. After the war, he studied the piano with his foster mother. He later studied piano with Eliza Hansen and in 1955 he enrolled at the Musikhochschule in Cologne, studying with Hans-Otto Schmidt-Neuhaus. At age 11, he had witnessed Wilhelm Furtwängler conduct, which had a great impact on him. In 1959, he started studying conducting with Wilhelm Brückner-Rüggeberg .[edit]Musical careerAs a pianist, Eschenbach has won numerous first-place piano competition prizes, including first prize in the Clara Haskil Competition in Vevey, Switzerland in 1965. In 1964, he made his first recording (of Mozart) for Deutsche Grammophon and signed a contract with the label. Eschenbach continued to study conducting with George Szell, with whom he worked for more than three years. In addition, Herbert von Karajan was his mentor for nearly twenty-five years.In 1981, Eschenbach became principal guest conductor of the Tonhalle Orchestra Zurich, and was chief conductor from 1982 to 1986. Other posts have included music director of the Houston Symphony Orchestra (1988-1999), where he now holds the title of Conductor Laureate; chief conductor of the NDR Symphony Orchestra, Hamburg (1998-2004); and music director of the Ravinia Festival, summer home of the Chicago Symphony Orchestra (1994-2005). He has made more than 80 recordings both as piano soloist, conductor, or both, has appeared in several television documentaries, and made many concert broadcasts for different European, Japanese and U.S. networks. Since 2000, Eschenbach has been the Music Director of the Orchestre de Paris. In May 2007, it was announced that Eschenbach would conclude his tenure with the Orchestre de Paris in 2010.[1]Eschenbach is credited with helping and supporting talented young musicians in their career development, including soprano Renée Fleming, pianists Tzimon Barto and Lang Lang, and soprano Marisol Montalvo. (Wikipedia)

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